Adam Driver is an architect who can management time in the first-look clip for Francis Ford Coppola‘s upcoming, self-funded movie, Megalopolis.

In the more-than-two-minute video, Driver’s Cesar Catilina makes his method onto the sting of a skyscraper, seemingly contemplating leaping. As he’s about to totally step off the constructing, he shouts “Time stop” and the vehicles under him pause at his command, and he leans again onto steady footing.

The movie, which is able to premiere at the Cannes Film Festival on May 17, is a Roman Epic set in an imagined Modern America, in line with its description.

“The City of New Rome must change, causing conflict between Cesar Catilina, a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests and partisan warfare,” the logline reads. “Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.”

Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Laurence Fishburne, Kathryn Hunter, Grace VanderWaal, Chloe Fineman, James Remar, D.B. Sweeney and Dustin Hoffman spherical out the forged of the director’s self-funded movie.

Coppola first started writing Megalopolis in 1983, and the movie reportedly price $120 million to make, which was funded partly by the sale of a good portion of the director’s wine empire. He hosted a screening of the challenge on the finish of March for potential patrons, with Universal’s Donna Langley, Netflix’s Ted Sarandos and Sony’s Tom Rothman all attending.

However, over a month later, the movie remains to be searching for distribution, as a number of of the screening’s attendees advised The Hollywood Reporter that Megalopolis will face an uphill battle. One distributor stated, “There is just no way to position this movie,” whereas one other famous that whereas “everyone is rooting” for the director, “there is there is the business side of things.”

One studio head even stated, “It’s so not good, and it was so sad watching it. Anybody who puts P&A [prints and advertising] behind it, you’re going to lose money.”

However, not all responses to Megalopolis have been unfavorable. A specialty label founder shared, “I liked it enormously,” including it’s a “very big film” that “has a real life. … How do you define commercial? You look at a movie like Blade Runner, and it became so much more commercial than on opening weekend.”

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