French-Swiss You can also find out more about the artist by clicking here. Julian Charrière This is his first solo exhibit with Perrotin Signing with the Gallery back in September 2023. On View in Paris, Panchronic Garden This book examines the fragile relationship that humanity has with fossil fuels. It begins by examining the development of materials like coal during the Industrial Revolution The negative effects on the environment that we are experiencing today.

Throughout In literature and in art, fountains are used to symbolize life, youth, and purification. Walking You can also read more about Perrotin’s Saint Claude location, Charrière transforms the space into a burning chapel as a film projection shows an opulent fountain ablaze, metaphorically alluding to how Western The materials used to create society are now turning our planet into a raging furnace.

Adjacent The two walls feature a series gold patina art on stainless steel panels with vague depictions and images of oilfields, exploring the extraction of fossil energies. California. The Artists used heliography – a process from the 19th century invented by French pioneer Nicéphore Niépce — who anticipated the rise of photography — in which Charrière harnessed the power of the sun to transmit aerial shots of these oil fields, producing a sort of “mirage,” Writers Stéphane MalfetteDirector of the LyonnaiseThe venue is a -based venue Les Subsistances. “Beneath the flashy surface, we are consumed by demons.”

Today’s The fossil fuels that we use today were once dense forests, formed 300 million years ago. Carboniferous period. Charrière, whose practice regularly consists of traveling around the world to geophysical regions, from former mining plants to volcanic sites, probing into the exploitation of Earth’s Resources, including “chemical cycles of materials, specifically the carbon cycle, which has been greatly affected by the burning of fossil fuels since the Industrial Revolution,” Charrière said in a statement.

The standout installation on view, which the show takes its title from, immerses audiences in an infrared garden of plants made to resemble ancestral ferns which once populated the surface of the planet — surrounded by mirrored carbon fiber floors and connected to sensors that create unique soundscapes that reflect the extraordinary ways in which plants communicate. “In the various spaces of Panchronic Gardens, time is suspended, producing a vertigo of infinity in the face of the incommensurable,” Add to Cart Malfette.

The exhibition View the latest in Paris until June 1.

10 Imp. Saint-Claude,
75003 Paris, France

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