Maite Alberdi made historical past when she turned the primary Chilean lady to be nominated for an Oscar because of her 2021 documentary The Mole Agent. She repeated the excellence earlier this yr when her newest doc, The Eternal Memory, competed for an Academy Award in a stacked class that finally went to 20 Days in Mariupol.

It was the most recent distinction in an extended listing for Alberdi, who beforehand directed critically acclaimed function docs like 2014’s La Once and 2016’s The Grown-Ups. But even with all of that success, Alberdi says individuals nonetheless ask her stunning questions on her résumé. “I just received a question, ‘When are you going to make a film?’ And it’s like, I make films,” Alberdi advised The Hollywood Reporter lately throughout a sit-down interview at Xcaret in Riviera Maya, Mexico, forward of the Platino Awards. The assumption is that documentaries will not be “real films,” in accordance with these ill-informed commenters. “I’ve already made five films, and I will continue making films.”

Alberdi has lengthy been impressed by actual life as a result of it gives a wealth of fabric. “Reality is so powerful, and it’s so full of stories and experiences that I really don’t need to write something because everything is already written,” continued Alberdi forward of the Platino Awards ceremony at which The Eternal Memory gained a greatest documentary trophy.

That mentioned, she is shifting into uncharted territory together with her subsequent undertaking by prepping her narrative function debut — an adaptation of Alia Trabucco Zerán’s guide Las Homicidas. The 2019 tome dissects the murders dedicated by 4 Chilean ladies and the way society responded to the crimes and their perpetrators. As for her strategy to this new terrain, Alberdi appeared stoked by the prospect to steer the manufacturing in a manner that she’s not finished in her earlier documentaries.

“You control everything. You write the script, the actors do what you ask them to do and the problems can be resolved by money,” she defined. “Everything is so controlled.”

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